Karolina Brzuzan exhibits a monument of human behaviors in the face of a crisis. The monument is an open form. It is erected jointly with recipients; it is a monument erected by the audience and for the audience. It is us who determine the ultimate meaning of the work. Neron’s invitees is a memorial composed of two simple solids made of crude steel. They both function as containers. The first solid has been filled with money saved from the artist’s budget assigned for the production of the work for the Open City Festival. Unspent funds were exchanged for cash (coins) and placed inside the installation. The artist gives the audience an opportunity to donate funds for a food aid for refugees from the Middle East. This however, may happen only as a result of decisions and actions of city residents and visitors of the festival. The second solid comprising the monument is initially empty. It is a money box of a kind. Coins from the first container are freely accessed. Everyone can take one, two or ten coins, as many as they wish. If they subsequently place the coins in the second container (“money box”), they will support the refugee aid. However, alternatively the audience can keep the coins; someone may think that he or she needs / wants the money more than the refugees. It is our personal, independent decision what will happen with the money. This is called direct democracy.